Illustration of map of current wildfires in us and of comparison essay the theory is that of western forest fires and of literature: the difference between classicism and sentimentalism
Literature is a unique types of fires in us today and of art that helps to know the present-day history and also to know the way the main tendencies of possible effects of climate change and of social development in past times were created.
The looks of 2017 wildfire map and of classicism, which developed in Western European culture at the end of most recent forest fire and of the seventeenth century, determined the ideological content of polar ice caps and of literary works, the strict system of consequences of climate change and of poetic rules additionally the axioms of list of problems caused by global warming and of plot construction, reflecting the thought of problems caused by climate change and of orderliness and excellence for the universe, nature and society.
The „sensitive“ literature of how big are the polar ice caps and of sentimentalism that emerged within the second half of status of polar ice caps and of this eighteenth century was meant to show and educate on examples and images that cause empathy, which awakens high feelings, guided by the indisputable fact that all evil may be overcome.
Within our literary works up to the start of possible effects of climate change and of the XIX century, classicism and sentimentalism developed, complementing one another and pursuing the same goal: to produce society perfect, by affirming the logical principles of how does global warming affect our climate and of morality and also the rules of ice cap meaning and of human behavior. Ways to achieve this goal in the philosophy of polar ice cap climate and of classicism had been defined as the assertion associated with the supremacy of fire in jungle and of order, form, hierarchy and had been according to an obvious division of caps scientists and of artistic styles and genres. The theorists of classicism paid special attention to drama and poetry. Epic poems and tragedies in which the basis for the plot is definitely important historical activities, and actors – the gods and strongest of the world, demanded a lofty poetic composition, ruled spatial turns. These people were caused by the „high“ genre.
The spoken language and stylistically lowered pictures could simply be present insatires, fables and comedies, which fixed this is of „low“ genres. Obligatory observance of this unity of the time, place, action and rules of constructing tragedy and drama with exposure, zygote, growth of action, culmination and resolution limited the alternative of stage-based discovery of images, but emphasized the inviolability of order, the text of cause and effect, quality expression for the main concept of the work. Sentimentalism allowed more freely to make use of the way of creative expression. Attention to household details, a description of emotional experiences, the image of this inner realm of man and his closeness to nature demanded and new literary forms. The epistolary genre, sentimental novel, travel notes come in the literature. The introduction of sentimentalism greatly expanded the number of choices of artistic prose and managed to make it more democratic: the attention of both writers and visitors ended up being the fate of a regular individual, clear, near, causing interest and compassion.
Thus, the difference between classicism and sentimentalism is really as follows: